A Crash Course in Crash

Bryne Westwood

Professor Bomboy

Arts and Humanities 101

4-28-2015

A Crash Course in Crash

            The film I chose to critique today is Crash. Written and directed by Paul Haggis, this film brings some of the most realistic stories into light. I have chosen to critique the music and it's relationship with the emotions felt by the different characters. Here are my thoughts one music note at a time.

            The film Crash was created to make people aware of the ways of the world. People, in some way or another, are judgmental of each other. Some people vocalize their thoughts and opinions, while others just display their feelings on their faces. Crash is trying to say that presuming about others is wrong and can indeed, cause consequences. Using Los Angeles as the perfect setting, the director was hoping to show California in every aspect that it has to offer. It proves that people are quite similar regardless of location. The opening scene even provides us with a quote that helps predict what life is going to be like: “It's the sense of touch. In any real city, you walk, you know? You brush past people, people bump into you. In L.A., nobody touches you. We're always behind this metal and glass. I think we miss that touch so much, that we crash into each other, just so we can feel something.”

            Crash  follows the lives of several characters, Graham, Jean, Officer Ryan, Cameron, Christine, Anthony, and Daniel. Based in Los Angeles, California, Crash introduces us to this unique and surprising set of people. This film takes place during present day, which at the time of the film's birth, was 2004. However, there was no evidence of well-known music playing in the film. It mostly consisted of dark and mysterious, modern sounding music. It was definitely used to set the mood during each scene.

            The music featured in Crash paved the film's atmosphere from the very beginning. Music slowly seeps into the introduction of the film easily making the viewer feel a sense of content, but questioning what could possibly come next? It is almost as if the music is tiptoeing into something bigger. However, it continues in an ominous manner into the opening credits until finally coming to a stop. Each time we prepare to meet a new character or a new storyline, the same song plays revealing more mysterious feelings that the characters might be experiencing. When something takes an exciting turn, the music becomes slightly louder and quiet, opera-like vocals are heard. This theme seems to be consistent throughout the film, leaving the viewer to question what the mood will be like or become.

            Crash does feature a lot of dialogue with or without music in the background. The scenes in which only conversation is held, allows natural sound to be heard. If we listen closely, we can hear the sounds of a city such as car horns, sirens, and trucks driving by. The director did a fantastic job with making the viewer feel like they are really in Los Angeles with the actors themselves. It just makes the movie easier to relate to. Some of the most important topics occur when the music is cut and the viewer is forced to understand the meaning behind this film. There is a scene where Anthony and his friend decide to hi-jack a car from Jean and high-tail it out of the area. Both Anthony and Jean, separately discuss the stereotypes about one another and "their type of people." Another issue we face is when officer Ryan pulls over a married couple for no apparent reason and makes them step out of their vehicle. We then witness officer Ryan and his partner pat the couple down to check for weapons. However, officer Ryan sexually assaults the female (Christine), as her husband looks on in fear of the police officers shooting them. Both of these scenes are extremely powerful and display their messages loud and clear. Both scenes also created an uncomfortable feeling for the viewers because of the direct conversations taking place. With no music swallowing up the actor's voices, we get the raw conversations whether they are sad, angry, or happy in this film.

            While hearing the conversations taking place in Crash, with or without the aide of music, it is clear to see how realistic the situations displayed really are. I felt my emotions go up and down like a rollercoaster. I was never quite sure how the scene would play out, but I would make my best guesses. I felt anger during the scene in which Christine was sexually assaulted and felt my own sense of hurt. I wanted to step in and help her! I was also filled with tears and sadness whenever anything was said that was racist, biased, or misogynistic. One scene in particular, was when Daniel returns from work to find an angry customer pointing a gun at him. Daniel's small daughter then runs outside to try to protect her father and then we hear a gunshot. My heart was pounding as I watched the entire scene play out. I felt as though I was losing someone extremely close to me because of a miscommunication with another person.

            Nearing the end of the movie, we start to see how lives really can "crash" together at any time. Some people are changed, while others tried their hardest to change. All of the characters had their own experiences with the same ending result: you get what you give and be kind to others. The movie fades out with the same mysterious, modern sounding music, but ends on a positive note. While the ending credits are rolling, there is finally a different song playing! We now hear a more upbeat song, which pulls the viewer out of deep thought while watching this film. Crash can really be an eye-opener for people and has made me stop to think time and time again. People just need to remember that everyone has feelings and their own stories to tell. As stated before, "... I think we miss that touch so much, that we crash into each other, just so we can feel something."

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Works Cited

Crash. Perf. Sandra Bullock, Don Cheadle, Matt Dillon, Nona Gaye, Ludacris, and Michael Peña. Lions Gate Entertainment, 2005. DVD.

Getty Images

Feminist Perspective: A Woman in a Man's World

Bryne Westwood

April 8, 2015

Professor Bomboy

HUM 101

Feminist Perspective: A Woman in a Man’s World

While choosing a painting for a narrative piece, it is important to keep in mind that the picture itself should speak to you. The painting must have its own personality, as well as, tell a story to the critic. After careful selection, I have chosen to critique a painting titled, “Mademoiselle V…in the Costume of an Espada,” by Édouard Manet in 1862. This painting not only struck a chord with me, it also made me question some things. Using only my best judgment and throwing in a feminist point of view, this is my critique on Manet’s beautiful artwork.

At first glance, we can see that this painting by Manet is nothing special. Most of Manet’s paintings were not much to look at, but they still created a story that really made the critic question what his motives were when creating this piece of artwork. Born in Paris, France in 1832, Édouard Manet had always been interested in different forms of creativity (“Biography”). He had always enjoyed painting, especially if his painting made a bold statement (“Biography”). In “Mademoiselle V…in the Costume of an Espada,” a woman, (known as model Victorine Meurend), is pictured within a bullring, dressed in a bullfighter’s uniform. Typically a man’s sport, the viewer of this painting, immediately wonders why a woman was placed in a man’s wardrobe within such a tough sport. I truly believe when looking at this painting, that it stands for the strength of women. I can see it as being a message that women are indeed capable of anything that a man can do. However, it is easy to see that Manet could not help but throw in the stereotypical women’s items within the painting such as pink hues. The cloth used to lure the “victim” in, her shoes, and hair covering, are all saturated in a light pink or brown hue. This pink hue demonstrates that the artist believes that woman should still have feminine features. Such features help support the artist’s use of the elements and principles of design.

When looking carefully and with an eye for detail, you can see how the artist created a type of radial balance. The woman is centered while the left side shows empty details of the bullring and the right side shows other bullfighters. The emphasis in this painting is obviously the woman or “Mademoiselle,” herself while the others kind of get lost in the background. When taking a look at the proportion of the painting, we can see that the woman is not exactly built in a feminine form, but seems as though she is larger than the other men in the painting. This makes me wonder if things were properly sized. Some might question if the artist was trying to make the viewer think that the woman was standing closer to them, while the bullfighters are set back in the bullring. The colors of the painting can convince anyone that it is a very dark setting. The little light that is showing, tries to focus on the woman, but seems to shine more so on the other bullfighters. The woman’s shadow fades into the dark lighting, making it hard to connect this to a form of realism. Why did Manet paint it this way? Going along with the darker colors, it also appears as though Manet did not supply much texture. “Mademoiselle V…,” seems flat and frankly, a little dull without the textures giving the viewer a realistic idea.

When thinking realistically, this painting is easy to relate to in modern times. However, during 1862, there was little to no consideration of women being equal to men. Édouard Manet was trying to portray two different messages in this piece of artwork, in my opinion. The woman represents equality for women by being dressed and showing bravery within a bullring. A bullring was seen as only a place for men to be and would have never allowed a woman to fight. On the other hand, this painting could also be Manet making the statement that women do indeed belong elsewhere. He could have placed this woman in a man’s costume to make it look like she does not, in fact, belong there. It is almost as if Manet is making fun of women. He chose to put feminine colors on her such as the pink head covering, pink cloth, and slipper-type shoes. Was Manet perhaps telling women that they have no place anywhere in a man’s world? Why make the woman try to give the image of strength but give her specific feminine features? Édouard was truly walking a fine line with critics and women alike.

Personally, I found “Mademoiselle V…in the Costume of an Espada,” to be quite intriguing. It really made me question my place in the world as a woman, as well as, trying to figure out what the artist was really trying to accomplish. I felt as though I could relate to this painting as far as showing that women can be strong and equal to men. I have had to put my foot forward many times with the opposite sex just to make my voice heard. No one, whether man or woman, should ever feel like they are not capable of something. People need to push forward and believe in themselves. With that in mind, what a fantastic piece of art Manet created. Not only does it push several buttons, especially during the 1800s, but it makes a statement. I also found through further research, that Manet painted quite a few paintings with women portraying “men’s jobs.” What side is Manet on? What an inspirational painting with a beautifully conflicting twist.

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 Works Cited

"Edouard Manet." Bio. A&E Television Networks, 2015. Web. 09 Apr. 2015.

"Édouard Manet | Mademoiselle V. . . in the Costume of an Espada." Édouard Manet. The Metropolitan Museum of Art. Web. 8 Apr. 2015. <http://www.metmuseum.org/collection/the-collection-online/search/436945>.

Non-Western Art Critique

Bryne Westwood

March 18, 2015

Professor Bomboy

HUM 101

Non-Western Art Critique

So Much More Than a Tree

            It is easy to say that art is diverse in so many ways. It is also easy to determine that everyone has their own point of view. One person can view a piece of art as beautiful, while the other person thinks it is dreadful. When choosing a piece of artwork to critique, I took into consideration all of the elements that would need to be addressed. Ancient Chinese art has a certain style and can make anyone think outside of the box. "Pine and Stone," demonstrates simplicity and detail all in one picture. It was created by Shen Zhou, during the Ming Dynasty (China Online Museum). Zhou enjoyed combining his poetry with his paintings ("Prince"). This particular beautiful piece of artwork was one of many in a collection of artwork by Zhou.

            At first glance, it would appear that “Pine and Stone” does not amount to much. If you look closely and give more thought into it though, it is really quite admirable. Without a doubt, the true focal point of this painting is the tree itself. "Pine and Stone" shows a delicate, yet bold use of lines all throughout the painting. Shen Zhou enjoyed using monochrome ink when showing off his creativity (China Online Museum).We can see the solid black lines were used in areas of great details, while other areas are a gray color that blends with the rest of the painting. As far as shape and proportion, the tree stands isolated from other trees while growing either next to or through the stone. When looking at it through the Golden Ratio point of view, the painting does indeed follow suit. The colors of "Pine and Stone" are black and gray, but the texture proves that the difference in color is noticeable. Black lines indicate details such as the individual pines on the tree and circles for a simple detail of a leaf. It makes the tree look realistic, but portions of the stone are not so realistic. It would appear that the specific location of this part of nature wants the viewer to feel like they are up close. The background does not have any detail, but helps focus on what is in front of us a little easier. The painting also flows from left to right making it easy for the viewer to focus their eyes in one spot at first eye contact. As far as repetition and value, the lines and circles stay consistent throughout the landscape of this painting. However, when looking at the balance of "Pine and Stone," it can easily be seen that it follows an informal balance. This is due to the fact that the left and right sides of the painting are not equally balanced in terms of focal point. The eye is most likely going to be drawn to the left side and up and then back down to see what the ground is showing. Traditionally though, some Chinese paintings are meant to be viewed from bottom to top. Either way, the tree is the strongest contender for the viewer. Finally, the form and unity of the painting is simple. Lines and circles whether straight, curved, or positioned differently, make "Pine and Stone," a well put together piece of art. The use of elements, as well as, principles of design are certainly visible in "Pine and Stone." Overall, the objects in the painting look like they belong together in nature. Everything flows nicely and can give any viewer an easy, yet beautiful perspective.

            The beautiful "Pine and Stone" first appeared during the late Yuan and early Ming Dynasty (China Online Museum). Shen Zhou was best known for his poetry, paintings, and calligraphy. He was actually the founder of the Wu School in China (China Online Museum). The Wu School was known to the people of China as a place for masters in art to come together (China Online Museum). Shen Zhou wanted everyone to consider painting as a form of "meditation rather than an occupation," (China Online Museum).This particular artwork simply portrays a pine tree lingering on the side of a mountain and surrounded by stone. The authenticity of this painting is shown by the use of ink painted on silk and the subtle red stamps indicating that it was once passed from one household to another (China Online Museum). As a Chinese painter during the Ming Dynasty, Zhou was passionate about adding his own flairs of tranquility, warmth, and confidence to his artwork (China Online Museum). Shen Zhou strived to make his art as calming and peaceful as possible. "Pine and Stone" easily holds those qualities, but keeps simplicity in its back pocket. How beautiful and calming simplicity can be!

            The function of "Pine and Stone" is to make the viewer see things for what they are. The tree is surrounded by bushes, stone and is isolated from everything else in whatever area Zhou thought or saw it to be. It promotes a sense of peace and tranquility, as well as, reminds us that the simple things in life are beautiful and at times overlooked. The reason that this painting fits so well within the Ming Dynasty is because of its use of lines, colors, and textures. It was also widely popular to use ink of all colors, but mostly black. The Ming Dynasty restored realistic art by emphasizing the importance of landscapes and nature based pieces of art ("Timeline). Calligraphy was also of great importance during the Ming Dynasty and was Shen Zhou's preferred methods of art. It was often found that Zhou combined his poetry with his artwork (China Online Museum). Also during this time period, it was encouraged to "value the presence of personality in a work over mere technical skill," ("Timeline"). Shen Zhou was indeed known for being a warm, vigorous, calm and peaceful individual which gives credit to the idea of showing personality within the artwork (China Online Museum).

            At the end of the day, I would say without question, that "Pine and Stone" gave me a form of inspiration. It made me consider taking a break once in a while and just taking a moment to breathe. It's simplicity and gentle flow made me feel so relaxed. I felt at peace and almost connected to the painting. I viewed the tree as being a reminder to everyone that just because you feel isolated or stuck, it does not mean that you are a weak person. The tree might appear as though it is alone, but is stronger than it seems. Using your inner strength, ability to stand tall, and just forgetting about everyday struggles can build you to be the best you. I really took all parts of "Pine and Stone" as a personal meaning to just slow down sometimes. It is really important to appreciate your surroundings and the simple things in life.

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Works Cited

"Blog #7: Non-Western Art and Culture." Myrns Wonderings from Prince of Wales. 18 Nov. 2011. Web. 16 Mar. 2015. <https://fromprinceofwales.wordpress.com/2011/11/19/blog-7-non-western-arts-and-culture/>.

Department of Asian Art. "Ming Dynasty (1368–1644)". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/ming/hd_ming.htm (October 2002)

Yibo, Yu. "Shen Zhou - Ming Dynasty." Shen Zhou Paintings. 21 Mar. 2009. Web. 16 Mar. 2015. <http://www.chinaonlinemuseum.com/painting-shen-zhou.php>.

Classic Greek Architecture Critique

Bryne Westwood

Professor Bomboy

Modern Culture and the Arts

February 8, 2015

Coatesville and the Classical Greek Influence

            It is not always easy to distinguish the difference between modern and classical Greek architecture. The National Bank of Chester Valley, located in Coatesville, Pennsylvania, is a perfect choice when looking into Greek architecture influences. At first glance, I would never think buildings that we see today date back to hundreds of years ago. Greek ideas or input has helped these unique buildings stand out from the rest, as well as, prove that designs can pass through different time periods. Without question, The National Bank of Chester Valley is strongly influenced by the Greek Classical period. Evidence of this is obvious through the carefully structured architecture and history of the building itself.

            The National Bank of Chester Valley appears to be closest to the Ionic order. The columns are the first piece of evidence and first thing the eyes move towards. The Ionic order shows a more delicate and simple side of design (Fiero 124). While there are indeed similarities between each type of Greek order: the Doric, Ionic, and Corinthian, they all differ in proportion and details (Fiero 123). Ionic architecture includes the likes of arches, theaters, and the design of columns on different structures (Wesley 6). The top of the columns known as the capital resembles a scroll (Wesley 10). The scroll design is seen within the echinus and volutes combination. A simple similarity in frieze design between the Ionic and Corinthian order can easily be determined. Both types of architecture share a continuous pattern within the appearance of the frieze (Wesley 14). Another feature of the bank is the tall shafts that give the columns its height. When looking at the base of the columns, we can see the close relationship between the Ionic and Corinthian orders. The base looks like layers or rings on top of one another. If we take notice of the roof, it follows the "rules" of the Ionic order. It is flat with the peaked top similar to the Ionic Temple. It is easy to see the sophistication this building was trying to obtain.

            People are typically attracted to different sights and tend to be interested in what the scene has to offer. The National Bank of Chester Valley, for example, shows off its sophisticated side by welcoming customers into elegance. The Ionic order proves to be a good choice for the bank because its sleek and decorative nature make it seem as beautiful as it is "rich." It is important for a bank to look like it can provide security and give the people only the best type of service needed. Thomas Jefferson's influence for this building design can easily shine through. His attractive design within this bank is similar to the design of The Virginia State Capitol. In fact, the Capitol was the first public building of the Monumental Classical style in 1788 (Commonwealth of Virginia). Jefferson used his knowledge of the Greek and Roman architecture to create such an amazing landmark (Commonwealth of Virginia). With the writing on the wall, it is obvious to say that Jefferson was influenced by old architecture and then passed his ideals onto the creators of The National Bank of Chester Valley.

            After discovering this new information, I realized how much detail I had missed over the years. With some research done and typical curiosity, I learned that my perception of the bank has indeed changed. Originally, I walked or drove by this bank just thinking it was another bank. Assuming it was just built to look like it was older, I never considered the idea that it was in fact, an older building. I can now look at The National Bank of Chester Valley as a form of Greek architecture. It easily relates to the Ionic order and can pass for having some similar Corinthian order features. Identifying the differences between each order, there are distinguished features that stick out. Those same features were the ones that drew me to the Ionic style. Sleek and elegant columns with a beautifully detailed frieze area. Some might say that this style was passed down from the Parthenon in ancient Greece. The Parthenon holds more than one Classical order. The Ionic portion is noted as forming the sculpted frieze, as well as, the four columns used to support the roof of the opisthodomos (Silverman). The Doric order shares titles with the Ionic within the Parthenon. What an amazing piece of history!

            At the end of the day, the most amazing piece of history is really anything we can discover through research, architecture, and stories passed down throughout the years. The National Bank of Chester Valley clearly resembles features of the Ionic order. The proof is in the tall, slim columns, scroll shaped votives, continuous detailed frieze, and attention to detail overall. I believe that the Ionic order was chosen for the sophisticated and elegant image it projects. People are attracted to it because it makes the building seem secure and matches the mood given off from a bank. A bank is a place for people to keep their valuable assets, while feeling like there is a sense of safety and security. If a building looks attractive to the eye, it will gain popularity as well. The National Bank of Chester Valley only dates back to 1857, but the building design and structure were obviously influenced by Thomas Jefferson. Keep in mind, Jefferson was actually influenced by Greek architecture! What a neat concept. The National Bank of Chester Valley still stands as a popular landmark in Coatesville, Pennsylvania and will always prove to us how important Greek architecture really is at the end of the day.

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Works Cited

Fiero, Gloria K. The Humanistic Tradition. 6th ed. Vol. 1. New York: McGraw-Hill, 2011. Print.

Silverman, David. "The Parthenon." Parthenon. Web. 6 Feb. 2015. <http://academic.reed.edu/humanities/110Tech/Parthenon.html>.

"Virginiacapitol.gov -- About the Capitol." Virginiacapitol.gov -- About the Capitol. Web. 7 Feb. 2015. <http://www.virginiacapitol.gov/index.php?p=index>.

Wesley, Ann. "Greek Architecture Influences America’s Architecture."Welcome to Ann’s Web. Np, nd Web 23 (2012).